Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Movie-wave.net – James Southall
“There’s a lovely, lilting main theme introduced in “Welcome to Ireland” with swooning strings complete with Gaelic accompaniment; bittersweet comedy in tracks like “Cemetery”; the occasional Irish jig (including one by Brian Byrne, “Shanley’s Delight”, which is quite delightful); more urgent drama as the romance is threatened in “The Phone Call” and “Open the Shutters”; and the inevitable sweeping finale, “The End”. It’s all very pleasant and very easy to listen to.”
Soundtrackscoresandmore.com
“Warner is adept at creating timeless sounding scores for films with expansive stories and for this historical drama, she balances gravitas and grandeur with playful, energetic cues.”
Movie Music UK – Jonathan Broxton
“The opening cue, “Mary Shelley,” which features a gorgeous, ethereal theme for overlapping female vocals augmented by soft, elegant orchestrations”
Marvelous Geeks Media – Gissane Sophia
“a must-listen for anyone who’s a fan of period drama music. It draws you in through every number, and whether you’ve seen the film yet or not, it still manages to tug effortlessly on your heartstrings”
New York Times – Amy Nicholson
“The score, by Amelia Warner, announces when to titter and when to swoon. In its cleverest flourish, it accompanies the ladies’ marital campaigns with a rollicking military march.”
Goseetalk.com – Marc Ciafardini
“Warner dug deep and pulled out a sweeping romantic composition that feels like Pride and Prejudice by way of The Lord of the Rings. It’s lush, authentic, and uplifting. All that for a romantic comedy no less.”