Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Cineconcerts.com
“The score is so fun and playful, but also really emotional at times, very tender and personal”
Sci-fi-online.com – Ty Power
“The score is melancholy and soothingly takes you to another place, attempting to tug at the heart strings all along the way. It comfortably puts you in another time.”
Hollywood Reporter – Abbey White
“…at the heart of the film for both its leading women — a relationship Warner gave its own theme, full of deep woodwind, more muted piano trills and harmonics”
Movie Music UK – Jonathan Broxton
“The opening “Overture” is an absolute delight, opening with a forceful and strident piece full of drive and purposeful movement; I especially love the fluttering, twittering woodwind accents that dart all around the piece, giving it a playful and elegant sound.”
Movie-wave.net – James Southall
“There’s a lovely, lilting main theme introduced in “Welcome to Ireland” with swooning strings complete with Gaelic accompaniment; bittersweet comedy in tracks like “Cemetery”; the occasional Irish jig (including one by Brian Byrne, “Shanley’s Delight”, which is quite delightful); more urgent drama as the romance is threatened in “The Phone Call” and “Open the Shutters”; and the inevitable sweeping finale, “The End”. It’s all very pleasant and very easy to listen to.”
Movie Music UK – Jonathan Broxton
“The opening cue, “Mary Shelley,” which features a gorgeous, ethereal theme for overlapping female vocals augmented by soft, elegant orchestrations”