Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Soundtrackscoresandmore.com
“Warner is adept at creating timeless sounding scores for films with expansive stories and for this historical drama, she balances gravitas and grandeur with playful, energetic cues.”
Celluloidtunes.no
“One of the best listening experiences of the year so far”
Movie-wave.net – James Southall
“There’s a lovely, lilting main theme introduced in “Welcome to Ireland” with swooning strings complete with Gaelic accompaniment; bittersweet comedy in tracks like “Cemetery”; the occasional Irish jig (including one by Brian Byrne, “Shanley’s Delight”, which is quite delightful); more urgent drama as the romance is threatened in “The Phone Call” and “Open the Shutters”; and the inevitable sweeping finale, “The End”. It’s all very pleasant and very easy to listen to.”
Comingsoon.net – Jeff Ames
“Amelia Warner’s Wild Mountain Thyme ranks among the best scores of the year. Seriously, if you haven’t listened to the soundtrack, pick it up at the link below. It’s a truly majestic blend of luscious themes and Irish influences that works wonders for John Patrick Shanley’s quirky comedy-drama.”
Hollywood Reporter – Abbey White
“…at the heart of the film for both its leading women — a relationship Warner gave its own theme, full of deep woodwind, more muted piano trills and harmonics”
Selig Film News – Gadi Elkon
“The sweet score by composer Amelia Warner is another treat as it weaves into sorrowful moments just as smoothly. She helps capture the old world feel of John Patrick Shanley’s mind.”