Amelia Warner
Neo-classical composer Amelia Warner is known for her work on ‘Mary Shelley,’ ‘Wild Mountain Thyme,’ ‘Mr. Malcom’s List,’ and the upcoming Jerry Bruckheimer produced film ‘Young Woman and the Sea,’ starring Daisy Ridley.
Her stunning orchestral scores infused with electronic elements have led to several awards, including Breakthrough Composer of The Year’ at the International Film Music Critics Association (IFMCA) Awards, and nominations in the ‘Discovery of the Year’ category at the World Soundtrack Awards, a Hollywood Music in Media Award, and recognition as a nominee for the ASCAP Composers’ Choice Awards.
Flickering Myth – Tom Beasley
“It is stunning to look at, with the costumes and sets absolutely on point, aided by Amelia Warner’s lush score”
Synchrotones.com – Pete Simons
“Warner combines a number of familiar(ish) elements and in doing so creates a wholly unique musical landscape. It may remind me of many things, but I don’t think I’ve ever heard anything quite like it.”
Celluloidtunes.no
“One of the best listening experiences of the year so far”
Movie-wave.net – James Southall
“There’s a lovely, lilting main theme introduced in “Welcome to Ireland” with swooning strings complete with Gaelic accompaniment; bittersweet comedy in tracks like “Cemetery”; the occasional Irish jig (including one by Brian Byrne, “Shanley’s Delight”, which is quite delightful); more urgent drama as the romance is threatened in “The Phone Call” and “Open the Shutters”; and the inevitable sweeping finale, “The End”. It’s all very pleasant and very easy to listen to.”
Movie Music UK – Jonathan Broxton
“The opening “Overture” is an absolute delight, opening with a forceful and strident piece full of drive and purposeful movement; I especially love the fluttering, twittering woodwind accents that dart all around the piece, giving it a playful and elegant sound.”
Cineconcerts.com
“The score is so fun and playful, but also really emotional at times, very tender and personal”